For couturier Anna Valentine, there is an overwhelming similarity between the principles behind her studio and the way she has designed her London apartment. Yet it is the sense of atmosphere at the core of this home’s refined DNA that leaves the strongest imprint. It is a graceful space, without pretence, where less is definitely more.
The first-floor Georgian apartment, which Anna shares with husband Jonathan Berger, who works in film and TV, had been untouched for 30 years when they moved in: “Despite the yellow Formica kitchen, boxy dark rooms and low false ceilings,” says Anna, “we were immediately drawn to the potential, proportions and location.”
The kitchen overlooks a private garden square, full of plane trees, and in summer the neighbourhood comes alive. Their home is just a short stroll from her studio. Anna’s love of fashion began at a young age, making clothes for her dolls while following her passion for ballet. “My mother is incredibly creative and encouraged me to sew and make – I was the original Blue Peter child,’ she says. In her early 20s, Anna turned her childhood hobby into a sideline that paid for her expensive dance classes. The door to a career in dance closed when she was 23, and fashion took centre stage.
Anna learned on the job, spending hours perfecting her technique, before setting up her own couture and ready-to-wear label. Working with a team of in-house designers, pattern cutters, fitters and seamstresses, she has achieved success over the past three decades, most notably designing the wedding outfit for the Duchess of Cornwall, now Queen.
Throughout the apartment, elegant architectural bones and natural materials are given space to breathe, accentuated by furniture and collections. It is unfussy, relaxed and inviting, yet sophisticated. “We have visited Japan a few times and their wabi-sabi philosophy and view of architecture appeal to us both.” With that in mind, the couple commissioned DRDH Architects to help restore the property. “They presented paintings from the 19th-century home of Danish artist Vilhelm Hammershøi in Copenhagen. His interiors resonated with the calm, sparse style we were keen to achieve.”
alls were removed and spaces reconfigured to allow the natural light to flow through from the original, floor-to-ceiling glazed doors at the front of the apartment to the main bedroom balcony at the back. The entire two-bedroom space is united by custom-made shuttered windows, reclaimed parquet floors and intricate cornicing, commissioned from a tiny fragment of original plasterwork.
The kitchen itself has an ethereal feel, with custom-made cabinetry and marble surfaces that are echoed through similarly stark bathrooms. To balance the minimal aesthetic, an oversized cupboard conceals the more unsightly essentials of daily life. The theme continues with linking hallway cabinets and a main bedroom divide that anchors hidden storage. The tall, minimally decorated walls are painted in Farrow & Ball’s Strong White and conceal a projector and a state-of-the-art speaker system. “The negative white space encourages a wonderful interplay of light and shadow, which is very calming,” says Anna, who always considers every single detail. “I move things around until they feel just so; and it is the same with cushions, textiles and natural finds. They have to look right – squashed and lived-in, never formal. I prefer simple leaves to flowers and I’m always searching for fallen branches with beautiful shape and form.”
Furniture follows similar sculptural lines: a bespoke sofa from Studio Oliver Gustav and a dining table from Vincent Van Duysen, surrounded by antique chairs discovered in Fayence in France, as well as weathered artisanal Chinese stools from 1819 Antiques, one of the couple’s favourite antique haunts. “I often find inspiring household pieces in the UK store Freight. Usuhari glassware handblown in Tokyo by Shotoku, is also a favourite.”
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Throughout the apartment, scent is ever-present: Japanese oils on wood blocks in wardrobes and Pot Pourri Apothicaire lava rocks in the sitting room. “I don’t like scents to overwhelm, as I do perfume. With restraint, an atmosphere can be savoured and enjoyed. Our home feeds my soul,” says Anna. “It is our sanctuary and we feel blessed to live here.”
Extracted from The Art of Living with White: A Year in Inspiration by Chrissie Rucker & The White Company (Mitchell Beazley, £35; thewhitecompany.com/octopusbooks.co.uk). Buy it for £30.80 at guardianbookshop.com
